This time I’ll be looking at three of Orson Welles’ later films. The multi-formed multi-version Confidential Report/ Mr Arkadin, the film noir classic Touch of Evil and Welles’ last and most playfully joyous film - F For Fake.

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This time around, I’m looking at Japanese crime movies. Sonny Chiba’s inimitable Streetfighter series, Hanzo The Razor where a Japanese cop with unusual methods is explored in detail and take a quick swim in a sea of weirdness with Seijun Suzuki’s Tokyo Drifter and Branded To Kill.

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